Над 4 милиона заглавия на английски и други езици! Открийте новата си история още днес! Безплатна доставка за поръчки над 69.99€

Виж статуса на поръчката

Свържете се с нас

Amiri Baraka

The Politics and Art of a Black Intellectual

Автор: Jerry Gafio Watts

Език:

Корици: С твърди корици

Издател: NEW YORK UNIVERSITY PRESS

Наличност: Външен склад

Изпращаме след 9-15 дни

118.55 € 231.87 лв

Amiri Baraka, formerly known as LeRoi Jones, became known as one of the most militant, anti-white bl...

Информация за книгата

Автор

Jerry Gafio Watts

Език

Английски език

Корици

Книга - С твърди корици

Издадена

2001

страници

592

EAN

9780814793732

ISBN

0814793738

Enbook ID

04932765

Издател

NEW YORK UNIVERSITY PRESS

Теглоt

930

Размери

152 x 229 x 33

Пълно описание

Amiri Baraka, formerly known as LeRoi Jones, became known as one of the most militant, anti-white black nationalists of the 1960s Black Power movement. An advocate of Black Cultural Nationalism, Baraka supported the rejection of all things white and western. He helped found and direct the influential Black Arts movement which sought to move black writers away from western aesthetic sensibilities and toward a more complete embrace of the black world. Except perhaps for James Baldwin, no single figure has had more of an impact on black intellectual and artistic life during the last forty years. In this groundbreaking and comprehensive study, the first to interweave Baraka's art and political activities, Jerry Watts takes us from his early immersion in the New York scene through the most dynamic period in the life and work of this controversial figure. Watts situates Baraka within the various worlds through which he travelled including Beat Bohemia, Marxist-Leninism, and Black Nationalism. In the process, he convincingly demonstrates how the 25 years between Baraka's emergence in 1960 and his continued influence in the mid-1980s can also be read as a general commentary on the condition of black intellectuals during the same time. Continually using Baraka as the focal point for a broader analysis, Watts illustrates the link between Baraka's life and the lives of other black writers trying to realize their artistic ambitions, and contrasts him with other key political intellectuals of the time. In a chapter sure to prove controversial, Watts links Baraka's famous misogyny to an attempt to bury his own homosexual past. A work of extraordinary breadth, Amira Baraka is a powerful portrait of one man's lifework and the pivotal time it represents in African-American history. Informed by a wealth of original research, it fills a crucial gap in the lively literature on black thought and history and will continue to be a touchstone work for some time to come.