Английски език
ART FRONTIER Vol. 3 No. 3 (Jul.-Sep. 2025) is an international academic journal dedicated to art history, visual culture, and aesthetic studies. This issue explores key themes including the modernization of Chinese art, the spiritual dimensions of classical painting theory, and the cultural meanings embedded in visual representation. Through interdisciplinary and cross-cultural perspectives, the journal examines how traditional artistic concepts continue to resonate within contemporary global discourse.
A major highlight of this issue is the in-depth discussion of Xu Beihong's "Fusion Theory" and Lin Fengmian's "Harmonization Theory," offering a renewed interpretation of the tensions between technique and spirit, realism and aesthetic conception, in twentieth-century Chinese art modernization. The issue also revisits Gu Kaizhi's concept of Chuanshen ("spirit-conveying") to explore the philosophical and contemporary significance of Chinese painting aesthetics.
Additional essays investigate topics such as hairstyles in Shang and Western Zhou jade artifacts, women in male attire in Tang dynasty murals, Ming dynasty flower paintings, and the Confucian-Daoist aesthetics of Northern Song Ru ware. Together, these studies demonstrate the richness and evolving methodologies of Chinese art historical research.
Blending rigorous scholarship with refined visual presentation, ART FRONTIER continues to serve as a platform for dialogue between Eastern and Western artistic traditions. The issue's cover, featuring a detail from the Yungang Grottoes mural of the Northern Wei dynasty, further symbolizes the journal's commitment to connecting historical depth with contemporary artistic inquiry.
《ART FRONTIER》Vol. 3 No. 3（2025年7-9月號）是一部聚焦全球藝術史、視覺文化與美學思想研究的重要國際藝術學術期刊。本期圍繞「中國藝術現代性」「古代繪畫精神」「視覺文化中的身份表達」等核心議題展開，既關注中國傳統藝術理論的當代轉化，也強調跨文化藝術研究的國際視野。
本期特別收錄關於徐悲鴻「融合論」與林風眠「調和論」的深入研究，重新審視二十世紀中國藝術現代化過程中「意」與「形」、「心」與「技」的複雜關係；同時透過對顧愷之「傳神」理論的重新闡釋，探討中國繪畫精神在當代世界中的哲學價值與文化意義。
在藝術史與視覺文化領域，本期還涵蓋商周玉器髮式研究、唐代李賢墓壁畫中的女性男裝現象、明代花卉繪畫中的時間意識，以及宋代汝窯與文人美學關係等專題，展現了中國古代藝術研究的新方法與新視角。
作為一本國際化藝術期刊，《ART FRONTIER》不僅重視學術深度，也強調圖像、設計與視覺閱讀體驗。本期封面採用雲岡石窟北魏壁畫細節，結合現代藝術作品與歷史圖像，形成跨越古今與東西方的視覺對話。
