Книга Cinderella's Sisters Dorothy Ko

Cinderella's Sisters

A Revisionist History of Footbinding

Автор: Dorothy Ko
Език: Английски език
Корици: С меки корици
Наличност: Външен склад
Изпращаме след 14-21 дни
39.93 78.10 лв
The history of footbinding is full of contradictions and unexpected turns. The practice originated i...

Информация за книгата

Автор
Език
Английски език
Корици
Книга - С меки корици
Издадена
2007
страници
360
EAN
9780520253902
ISBN
0520253906
Enbook ID
04617607
Теглоt
582
Размери
148 x 224 x 25

Пълно описание

The history of footbinding is full of contradictions and unexpected turns. The practice originated in the dance culture of China's medieval court and spread to gentry families, brothels, maid's quarters, and peasant households. Conventional views of footbinding as patriarchal oppression often neglect its complex history and the incentives of the women involved. This revisionist history, elegantly written and meticulously researched, presents a fascinating new picture of the practice from its beginnings in the tenth century to its demise in the twentieth century. Neither condemning nor defending foot-binding, Dorothy Ko debunks many myths and misconceptions about its origins, development, and eventual end, exploring in the process the entanglements of male power and female desires during the practice's thousand-year history. "Cinderella's Sisters" argues that rather than stemming from sexual perversion, men's desire for bound feet was connected to larger concerns such as cultural nostalgia, regional rivalries, and claims of male privilege. Nor were women hapless victims, the author contends. Ko describes how women - those who could afford it - bound their own and their daughters' feet to signal their high status and self-respect. Femininity, like the binding of feet, was associated with bodily labor and domestic work, and properly bound feet and beautifully made shoes both required exquisite skills and technical knowledge passed from generation to generation. Throughout her narrative, Ko deftly wields methods of social history, literary criticism, material culture studies, and the history of the body and fashion to illustrate how a practice that began as embodied lyricism - as a way to live as the poets imagined - ended up being an exercise in excess and folly.

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