Книга Composing for the Red Screen Kevin Bartig

Composing for the Red Screen

Prokofiev and Soviet Film

Автор: Kevin Bartig
Език: Английски език
Корици: С твърди корици
Издател: Oxford University Press Inc
Наличност: Външен склад
Изпращаме след 10-18 дни
79.41 155.32 лв
Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered compo...

Информация за книгата

Автор
Език
Английски език
Корици
Книга - С твърди корици
Издадена
2013
страници
256
EAN
9780199967599
ISBN
0199967598
Enbook ID
04537063
Теглоt
472
Размери
161 x 243 x 26

Пълно описание

Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Hollywood luminaries such as Gloria Swanson tempted him with commissions, and arguably more people heard his film music than his efforts in all other genres combined. Films for which Prokofiev composed, in particular those of Sergey Eisenstein, are now classics of world cinema. Drawing on newly available sources, Composing for the Red Screen examines-for the first time-the full extent of this prodigious cinematic career. Bartig examines how Prokofiev's film music derived from a self-imposed challenge: to compose "serious" music for a broad audience. The picture that emerges is of a composer seeking an individual film-music voice, shunning Hollywood models and objecting to his Soviet colleagues' ideologically expedient film songs. Looking at Prokofiev's film music as a whole-with well-known blockbusters like Alexander Nevsky considered alongside more obscure or aborted projects-reveals that there were multiple solutions to the challenge, each with varying degrees of success. Prokofiev carefully balanced his own populist agenda, the perceived aesthetic demands of the films themselves, and, later on, Soviet bureaucratic demands for accessibility.

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