Книга Forms and Functions in Documentary Filmmaking Alexander Röhl

Forms and Functions in Documentary Filmmaking

American Direct Cinema

Автор: Alexander Röhl
Език: Английски език
Корици: С меки корици
Издател: Grin Publishing
Наличност: Външен склад
Изпращаме след 5-8 дни
39.27 76.81 лв
Thesis (M.A.) from the year 2008 in the subject Film Science, grade: 1,3 , Humboldt-University of Be...

Информация за книгата

Автор
Език
Английски език
Корици
Книга - С меки корици
Издадена
2009
страници
82
EAN
9783640423927
ISBN
3640423925
Enbook ID
01624891
Издател
Теглоt
118
Размери
148 x 210 x 5

Пълно описание

Thesis (M.A.) from the year 2008 in the subject Film Science, grade: 1,3 , Humboldt-University of Berlin (Anglistik und Amerikanistik), language: English, abstract: The subject of this paper is documentary film and Direct Cinema as a particular movement in documentary history. Direct Cinema emerged as an innovative form of filmmaking in the United States in the early 1960s, using new technologies and revitalizing documentary in a break with both traditional forms of both documentary and classical Hollywood cinema. Direct Cinema developed an observational filmmaking method that relied on giving up control by minimizing the filmmakers intervention before and during the shooting, with no preconceptions of the finished product. The methods the filmmakers employed drew on realist techniques such as long takes and free-moving cameras, promoting an uncontrolled documentary of immediacy and focusing on the reality effect of the moment of shooting. The result was expressive footage, for which the filmmakers developed a form of representation that relied on the inherent continuity of the filmed event, avoiding the narration and interpretation common to traditional documentary films.

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