Книга Ingardeniana III Anna-Teresa Tymieniecka

Ingardeniana III

Roman Ingarden s Aesthetics in a New Key and the Independent Approaches of Others: The Performing Arts, the Fine Arts, and Literature

Език: Английски език
Корици: С меки корици
Издател: Springer
Наличност: Външен склад
Изпращаме след 5-8 дни
210.31 411.32 лв
In the footsteps of Ingardeniana II, this volume marks the 20th anniver sary of Roman Ingarden's dea...

Информация за книгата

Език
Английски език
Корици
Книга - С меки корици
Издадена
2012
страници
365
EAN
9789401056748
ISBN
9401056749
Enbook ID
06972563
Издател
Теглоt
581
Размери
155 x 235 x 21

Пълно описание

In the footsteps of Ingardeniana II, this volume marks the 20th anniver sary of Roman Ingarden's death, partly focusing upon his thought, partly bringing his aesthetics into the present-day framework of research. It might have appeared puzzling to the followers of our Analecta Husserliana why within the original horizon encircled by the research work of our International Society of Phenomenology and Literatur- whose research work is devised in a diametrically opposed direction to that of Roman Ingarden - there is steadfastly running through our discussions a line of Ingardenian reflection. The reason, as I have pointed out in the introduction to Ingardeniana II, expertly edited by Hans Rudnik, is clear: Ingarden's analysis of the intentional structures of works of art offers in its distinct and clear-cut forms an 'objective' correlate - as well as a point of reference - to the vast conundrum of issues concerning the creative endeavor of the writer, poet, artist in their struggle to endow life with its specifically human significance; a conundrum that in our research we are trying to disentangl- elucidating its mysterious ramifications, their sources and dynamic virtualities. As a matter of fact, Ingarden's thought, newly interpreted and originally expanded, occupies a legitimate place in the present collec tion. We find here, in the first place, an original expansion of Ingarden's aesthetic theory in the monograph of ladwiga Smith followed by the essays of Wadaw Osadnik, Yushiro Takei and Charles Rzepka.

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