Книга Spectacular Passions Brett Farmer

Spectacular Passions

Cinema, Fantasy, Gay Male Spectatorships

Автор: Brett Farmer
Език: Английски език
Корици: С меки корици
Издател: Duke University Press
Наличност: Външен склад
Изпращаме след 9-15 дни
36.57 71.53 лв
The image of the movie-obsessed gay man is a widely circulating and readily recognisable element of...

Информация за книгата

Автор
Език
Английски език
Корици
Книга - С меки корици
Издадена
2000
страници
320
EAN
9780822325895
ISBN
0822325896
Enbook ID
04937322
Издател
Теглоt
526
Размери
162 x 222 x 23

Пълно описание

The image of the movie-obsessed gay man is a widely circulating and readily recognisable element of the contemporary cultural landscape. Using psychoanalytic theory as his guide while inflecting it with insights from both film theory and queer theory, Brett Farmer moves beyond this cliche to develop an innovative exploration of gay spectatorship. The result, Spectacular Passions, reveals how cinema has been engaged by gay men as a vital forum for "fantasmatic performance" - in this case, the production of specifically queer identities, practices, and pleasures. Building on the psychoanalytic concept of the fantasmatic, Farmer works to depathologise gay male subjectivity. While discussing such films as Kiss of the Spider Woman, The Pirate, Suddenly Last Summer, and Sunset Boulevard, and stars ranging from Mae West to Montgomery Clift, Farmer argues that the particularities of gay men's social and psychic positionings motivate unique receptions of and investments in film. The Hollywood musical, gay camp readings of the extravagant female star, and the explicit homoeroticism of the cinematic male body in gay fanzines are further proof, says Farmer, of how the shifting libidinal profiles of homosexual desire interact with the fantasy scenarios of Hollywood film to produce a range of variable queer meanings. This fascinating and provocative study makes a significant new contribution to discussions of cinema, spectatorship, and sexuality. As such, it will be welcomed by those in the fields of film theory, queer theory, and cultural studies.

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