Tristan`s Shadow - Sexuality and the Total Work of Art after Wagner

Автор: Adrian Daub

Език:

Корици: С твърди корици

Издател: The University of Chicago Press

Наличност: Външен склад в ограничено количество

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Das Rheingold, Die Walkure, and Siegfried. Parsifal. Tristan und Isolde. Both revered and reviled, R...

Информация за книгата

Автор

Adrian Daub

Език

Английски език

Корици

Книга - С твърди корици

Издадена

2013

страници

240

EAN

9780226082134

ISBN

022608213X

Enbook ID

02404875

Издател

The University of Chicago Press

Теглоt

478

Размери

230 x 161 x 19

Пълно описание

Das Rheingold, Die Walkure, and Siegfried. Parsifal. Tristan und Isolde. Both revered and reviled, Richard Wagner conceived some of the nineteenth century's most important operatic productions - and created some of the most indelible characters ever to grace the stage. But over the course of his polarizing career, Wagner also composed nearly twenty volumes of writing on opera. His influential concept of Gesamtkunstwerk - the "total work of art" - famously and controversially offered a way to unify the different media of an opera into a coherent whole. Less well-known, however, are Wagner's strange theories on sexuality - like his ideas about erotic acoustics and the metaphysics of sexual difference. Drawing on the discourses of psychoanalysis, evolutionary biology, and other developing fields of study that informed Wagner's world, Adrian Daub traces the influence of Gesamtkunstwerk and eroticism from their classic expressions in Tristan und Isolde into the work of the generation of composers that followed, including Zemlinsky, d'Albert, Schreker, and Strauss. For decades after Wagner's death, Daub writes, these composers continued to grapple with his ideas and with his overwhelming legacy, trying in vain to write their way out from Tristan's shadow.

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Tristan`s Shadow - Sexuality and the Total Work of Art after Wagner

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Пълно описание

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